We Say: The image stabilisation is really impressive, buttery smooth
Highs: Tweaked Protune settings are a Godsent
After months of speculation, GoPro’s latest and greatest camera, the hotly anticipated Hero 6, has landed in Malaysia.
As well as improving performance generally, the frame is now cropped by only five percent when stabilisation is enabled — as opposed to the 10 percent before. So you have a handful more precious pixels to play with.
If you’re shooting at any framerate above 30fps the Hero 6 will automatically use the relatively new H.265 codec, otherwise known as HEVC.
This new codec is twice as space efficient as the widely used H.264 codec, but requires twice as much processing power to work — something to consider if the machine you edit on already struggles with H.264.
Physically the GoPro Hero 6 is exactly the same as the 5, and we think that’s a good thing. I’ve come to love the form factor and ease of use of the Hero 5, and even if it does occasionally get stuck in its casing, we think there’s little that could be improved here.
Looking at the footage hot out of the camera, what really stood out was how good the ‘GoPro Colour’ Protune profile option looked — the colours are rich, the image is contrasty and we reckon it will negate the need to manually grade the footage for the vast majority of users.
For those who prefer to manually grade their footage, the ‘Flat’ profile in Protune still produces super high-quality footage.
On the flipside, if you’re after cheap and dirty footage, or if card space has become an issue, turning Protune off still produces reasonably good footage. The sharpness looks a little high and the transition between daylight and lowlight isn’t particularly smooth, but it’s still perfectly useable — clearly the new GP1 chip is doing a good job.
GoPro’s cameras have often been criticised for lacking what many view as key features, for example, the Yi 4k+ has had 4k 60fps capability for some time now.
However, GoPro does have a knack for coming out (eventually) with a camera that’s bang up to date, but also adding something else that we may not have expected — in this case it’s the new 1080p 240fps slo-mo mode.
At an eighth speed, the picture quality is exceptional. While you’ll need a lot of light to make it work well, you’ll be happy with the shots, even on POV shots which can often look a little boring in slo-mo.
It’s hard to say whether or not the new Hero 6 is worth ditching the Hero 5 for, because that is still a really good camera, but all we know is that the combination of greater slow-mo capabilities, better frame rate and dare we say the best image stabilisation from a camera is a winner here.
We went on a testing day with Fun Sportz, GoPro’s Malaysia distributor recently and the footage that came out was almost something like a DSLR on a gimble would produce.
Okay, we might be exaggerating, but trust us when we say, we have never been this impressed with an action cam footage without using a gimbal. It is super smooth and almost feels like there was a stabiliser attached on our helmet. On the contrary, it was just a very good, brand spanking new GoPro!
- Same body as Hero 5 Black
- Touchscreen controls
- Voice control
- Waterproof to 10m / 33ft
- Video quality up to 4k at 60fps and 1080p at 240fps
- 12MP resolution still images
- New GP1 processor, designed in-house by GoPro
- Three-axis software stabilization